暂无剧情简介

An actress gets the lead in a movie, not aware that the director specializes in nudies and intends to use drugs on her during the filming.

This is a rare look at one of the worst horror stories in the long infamous history of warfare. This series features captured German and Russian film footage, much of which has never been seen before. For decades the Cold War prevented us from looking closely at what really happened between the Russians and the Germans on the Eastern Front during World War II. More than a struggle between nations, it pitted maniacal tyrant against maniacal tyrant, evil ideology against evil ideology. The lives of tens of millions of human beings were consumed by its raging hatreds and appalling indignities. One in every ten Russians died. One in every four Poles died. Whole divisions of Italians, Romanians, Hungarians disappeared with barely a trace. An average of 17,800 people died on every single day and this, the war on the Russian German Front, lasted for 1,400 days. This series features captured German and Russian film footage, much of which has never been seen before.

Documentary accompanying the new book 'Bernhard: A Hidden History' by author Annejet van der Zijl. The book provides a historical reconstruction of Bernhard zur Lippe Biesterfeld's German childhood. For this, Van der Zijl spent five years researching the archives of, among others, Bernhard's German family and his secondary schools, and spoke with friends and acquaintances from his time in Germany. NOS reporter Arjan Nieuwenhuizen interviews Van der Zijl and returned to Wojnowo, now located in Poland but German territory at the time, and the place where Bernhard grew up on the Reckenwalde estate. Arjan Nieuwenhuizen unexpectedly stumbled upon unique private footage of Bernhard himself, filmed during his childhood and the first years with Princess Juliana. Excerpts from this can be seen in the documentary.

What if the Earth/Mars battle from H.G. Wells' classic novel The War of the Worlds wasn't fiction but actually fact? Like the famous 1938 Orson Welles radio broadcast that caused Americans to believe an actual invasion was in progress, the movie assumes an Earth/Mars War in 1900 actually occurred and is presented as the first hand memoir of journalist Bertie Wells, the last living survivor as he struggles to find his wife amidst the destruction of humankind at the hands of terrifying alien invaders.

One day, Kandume's can boy, who happily lived with his friends in the kitchen, becomes an empty can and is discarded. Eventually, he has a dream about the history of iron and humanity. He sees how iron that melted and flowed out during a forest fire, was discovered by humans once it cooled and solidified. This iron then transformed into knives and machines, leading to the development of civilization. When the can boy awakens, he is taken to a steelworks and reborn as a new steel material.

Germans colonized the land of Namibia, in southern Africa, during a brief period of time, from 1840 to the end of the World War I. The story of the so-called German South West Africa (1884-1915) is hideous; a hidden and silenced account of looting and genocide.

After World War II, in Hiroshima, the Yakuza clans start a war for control of the city.

Three-part documentary series in which anthropologist professor Alice Roberts and archaeologist Neil Oliver go in search of the Celts - one of the world's most mysterious ancient civilisations.

Five years after the war in the Falklands between Britain and Argentina, many facts were still wrapped in red tape. Many of the key figures had remained silent. No-one had been to Argentina to tell the other side of the story. For the majority of the British people, the war was another glorious chapter in their history. With flags waving and bands playing, British troops had sailed away to repel the invaders. Patriotic emotions were stirred as they returned victorious. Government MPs tried to get the film banned, but Yorkshire TV's telephones were jammed with messages of support from wives and mothers of those who died in the conflict. Called 'the documentary to end all documentaries about the Falklands War' in the British press, it was also described as 'more poem than polemic - a hymn against war'.